I’ve been following the music of The All-About for a few years now. I was instantly a fan the first time I heard the song “Feel Weird Hit Of The Winter” off 2012’s Winterpop. Something about Zac Coe’s music connects with me more intensely than most, so I’m happy to count him not only as a big part of my life’s soundtrack but also a friend (though we’ve never met face-to-face). It took a couple years, but April 1st will find the world with a new The All-About record to enjoy, and it is a definite left turn for the Synth Kid.
Be Safe Goodbye was recorded at Mama Coco’s Funky Kitchen by mix master General Oliver Ignatius, just like Zac’s previous work. This time they changed things up, took away the synths and threw in some pedal steel and mandolin to give the must a country tinge that works better than you’d think. Last week Zac was nice enough to let me premiere the track “All Your CD’s” here on Music.Defined. and it really is a great introduction to the sound they were going for.
Be Safe continues to shine a light on Zac’s reliable co-singer Gabby Ambrosio. “If This City” gives her a bit more to do than usual, and she works it for everything she can get. It isn’t the kind of showy vocal runs and glass-shattering octaves that some singers engage in; rather it’s the emotional resonance and sincerity in her voice that sticks with you. I don’t know her, so I have no idea if she has an interest in putting out her own records or is happy just to help Zac out, but she could definitely have a career of her own if she wished.
The lyrics to that one, which premiered the week before “All Your CD’s” over on New York Magazine’s Bedford and Bowery page, work best when you’re hearing them from both Gabby and Zac together: “I want you to love me, the way you did when we met. Show me what I was missing, sharing only my bed. If this city doesn’t kill me, you’ll be the reason why. Took a twin bed in a ghost town, made it a playground. Took a picture of yourself waving goodbye.”
Be Safe Goodbye is easily Zac’s most mature work to date. That makes a lot of sense: Life has changed a lot for him in the last two years and that means there’s a lot of fodder for songwriting. A lot of the themes will be familiar to long time listeners. There’s always a sense of nostalgia to his music that seems odd for someone so young, but he does it well and it rings true song after song.
The record will be out in a week or so. If you want to check out some of Zac’s earlier stuff, I would highly recommend doing so. You can find most of it on his Bandcamp page (the Synth Kid EP seems to have been taken down, sadly).
I’ve been a fan of Zac Coe’s music project The All-About for a few years now. It’s been almost three years since his last full-length, Suburban Heart, was released. On April 1st he is putting out the long-awaited follow-up Be Safe Goodbye. We’ve been talking about the record for a while now, and he was nice enough to let me premiere a song for you here.
I was excited about “All Your CDs” because it’s a lot different than his older songs. It still finds Zac and Gabby Ambrosio melting hearts with their harmonies, but there’s a country tinge to this album. The pedal steel on this track is phenomenally played by Jules Belmont, and Tom Shad throws in some mandolin to really hit that sound they were going for.
I’ll let Zac tell you a little more about it:
Although I think everybody has since moved on to the more specific and sinister evils of the digital age, there was a time a few years ago when all you heard about was the danger of cell phones and text messaging–how my generation was going to lack the skills to build meaningful interpersonal relationships because we were communicating around the clock in these tiny fragments of text. “All Your CDs” is a song about the opposite of that phenomenon, where a cell phone enables you to be in touch 24/7 in the very beginning stages of a romance, and your phone becomes a device whose sole purpose is to stay connected to that one person and nobody else.
I didn’t want to use any synths on this album, and we tried to let the music breathe a bit more in the studio. This song has some of my favorite playing from the musicians on the record–JR Atkins plays a beautiful guitar solo, Oliver’s bass playing is smooth as ever, and Devin Calderin’s piano and organ remind me a lot of the instrumentation on ‘Blonde On Blonde.’
This video has everything: cute dogs, guys throwing axes at trees, people lighting cigarettes with sparklers, skipping stones on a lake and throwing smoke bombs in the water. I’m not sure how good that last thing is for the water or the ecosystem it’s a part of, but it looks neat. I imagine this is the kind of video Todd Philips would make if he wants to do his take on a Malick movie.
Whitney is Max Kakacek’s post-Smith Westerns project along with Julian Erhlich and Ziyad Azrar (Touching Voids), and they’re already garnering a lot of buzz around Chicago. They’ll be gaining more fans when they hit Europe for a tour next month.
December 7, 2012. A day that will live in infamy. That was the first time I mentioned Pony Boy on the pages of this site. It was a fairly auspicious beginning, since the post was my Top 100 Songs Of 2012 and Marchelle Bradanini’s onstage persona had nabbed a spot with a song that you can download free on MTV Hive (??? Ok……). It was a fresh take on the folk-Americana genre that was beginning to saturate the airwaves around that time, and one I found very appealing.
In the time since then Bradanini’s has released some singles and an EP (The Devil In Me) while playing shows in the UK and Australia. Unfortunately her touring schedule hasn’t brought her to many cities in the States, but if you’re in Los Angeles, NYC, or Nashville you might be familiar with her. Music City is where she lives in record, enlisting fellow Nashvillian Justin Collins (Deer Tick) to produce her first full-length, Blue Gold.
Pony Boy’s influences are all over the map, with obvious roots in 50’s era country jumping all the way to glam rock and shoegaze. On the Bandcamp page where you can stream/purchase the album it’s tagged as Doom Wop, which seems to be gaining in popularity and fits Blue Gold just fine.
Right off the bat with “When Tomorrow Never Comes” you get the big fuzzy guitars joined by a dark sense of dread. Throw in the regretful longing of Bradanini’s vocals and you’ve got yourself a great introduction to Pony Boy.its junk yard gospel for the enlightened willing to give it a shot.
A great video was released a couple months ago for the single “Metal Dreams.” It pushes the Julee Cruise/Twin Peaks comparisons to the forefront, to the point where I can hardly think of anything else when I see it. Solid video on its own merits, but it works especially well for Lynch fans. It hits the feeling of quiet desperation out of the park, with a sense of constantly searching for something just out of sight.
The other single, “Marquee Man,” might be the best example of those old and new influences coming together. It could be a straight-ahead Chicago blues/Motown hybrid tune and work just fine. Instead, Bradanini works in some quirky sounds you’d likely find on a record produced by Jon Brion to add a layer of modernity. It keeps the track locked into the timeless aesthetic I think Pony Boy and Collins we’re going for. Is it a new throwback or old and way ahead of its time?
Having been a fan for a few years now, Blue Gold pleases me to no end. It’s true to the sound I liked when I first heard her, and takes it just a little bit further. Hopefully she keeps evolving and people discover her stuff now that this is out. Speaking of, you can buy the album on Bandcamp for $7. It’s also streaming on Spotify if you’re one of those people who thinks an artist should be paid $0.00000001 every time you listen to them.
I realized that I never posted this short video from September of last year featuring Fiona Apple and Blake Mills performing together at Mayne Stage in Chicago. I was fiddling around with the camera and only shot the last minute or so of the song, but it’s worth checking out. Fiona delivers a really strong vocal and Mills is great as always on the guitar. Not sure why I held on to this for so long, but here you go.
The Shams Band must be feeling the luck of the Irish because they’ll be headlining Chicago’s House Of Blues this Tuesday. They’ve played all over the city, most notably setting up shop for month-long residencies at Schubas where they bring in their own openers. These shows have been great every time out and I’ve been introduced to artists I may not have otherwise thanks to The Shams.
The focus is gonna be more on the headliners this time out, though. They’ll be playing some new songs off their forthcoming EP Dirty, and some off their 2012 release Cold City. They’re one of the finest live bands you can hope to see in Chicago, so you won’t want to miss this opportunity. Joining them for the show are some other great Chicago artists: Jared Rabin, Michele McGuire, and Nasty Snacks.
Two songs off Dirty have already been released, and you can hear them below. The title track isn’t anything like you’d expect from the name. Instead, it’s a pretty song with a mean bass lick.
The second, “Issues,” is a bit more of a rocker and should be a fun one live.
This is an early show. Doors open at 5pm and music starts at 5:30, so don’t bother going home after work-just head straight down to 329 N Dearborn. Get tickets in advance here.
It’s almost that time of year again. No, not National Cheesecake Day. That’s Thursday July 30th. I’m talking about Dunn Dunn Fest, one of the best music festivals in Chicago. Head of the class if you’re talking indoor venues. Lots of great local bands from all genres are joined by fantastic touring acts. One of which I’m particularly excited about.
When I went up to Toronto last year for their Urban Roots Festival, one band was talked about more than any other. July Talk is the hottest up-and-coming band out of Canada, and Harmonica Dunn has booked them for opening night of his festival at Subterranean. They’ve opened for some big acts stateside, so it’ll be nice to see them appear as headliners. They have a crazy energy about them that instantly grabs a hold of you and doesn’t let go until well after they’ve left the stage.
And they’re not the only awesome act playing the fest. Not even close. Just on that first night there are shows at Hideout and Beat Kitchen I would also recommend.
On Saturday the 20th you can head out to Fitzgerald’s for The Westies and Charlie Parr. If you’re in a more excitable mood, hit up Hideout for local rockers Save The Clocktower.
Sunday presents a pretty clear must-see-at least from my view. Sister Sparrow & The Dirty Birds should not be missed. They’re at Beat Kitchen with Larkin Poe.
Here’s the full schedule:
02/19/15 @ Subterranean – July Talk, Mutts, The Traveling Suitcase
02/19/15 @ Beat Kitchen – Chris Bathgate
02/19/15 @ The Hideout – Luke Winslow-King, Michele McGuire, Kory Quinn
02/19/15 @ FitzGerald’s Nightclub – Dead River Revival
02/19/15 @ Tonic Room – Chicago Funk Mafia, Catfish & The Dogstars
02/20/15 @ Subterranean – Bailiff, Buffalo Killers, The Go Rounds
02/20/15 @ Beat Kitchen – Evergreen Grass Band, Flatland Harmony Experience
02/20/15 @ Schubas Tavern – Genevieve
02/20/15 @ FitzGerald’s Nightclub – The Westies, Charlie Parr
02/20/15 @ The Hideout – Save The Clocktower, Divino Niño, Quinn Tsan
02/20/15 @ Tonic Room – After Funk, Candlefish, Rusty Gates
02/21/15 @ Subterranean – IndigoSun, Sun Stereo
02/21/15 @ Beat Kitchen – Sister Sparrow & The Dirty Birds, Larkin Poe
02/21/15 @ FitzGerald’s Nightclub – TBA
02/21/15 @ Tonic Room – SPREAD, Brown Bag
Check out Harmonica Dunn’s website for tickets to all of these shows, plus all the other amazing concerts he puts together.